June 18th, 2015 §
About nine months back in invested in a Ricoh Pentax 645z camera body, and purchased nearly every medium format lens available (from super wide 25mm (approx 19mm in 35mm equiv.) to 400mm tele) for this wonderful new camera. I thought it was time to talk about the joy I’m getting from the amazing output quality I’m seeing.
I used to shoot medium format film cameras up to 6 x 9 colour transparencies. Shooting 35mm full frame digital is great, but when Ricoh Pentax brought out this camera I felt it was time to jump up. Sure, Canon has recently unveiled 50MP 35mm camera bodies, but to be honest, they won’t come close to the performance of this. The file sizes might be comparable, but the pixel size with the Canon is so small now, that the quality of output will be miserable in comparison. Check out the photo below for a large copy (which is 1/10th the size of the original by the way) – click on it and make sure you’re viewing at 100%. As you see, there’s no shadow detail. Infact, I’m finding I can shoot the Pentax 645z at 3200 ISO and the files are better than the best Canon 400 ISO files I’ve seen. It’s just luscious to shoot with and I still marvel at the results every day.
Incredible image quality - click for full screen view - make sure you have 100% viewing
It’s been a big investment in equipment, but as we specialise in very large reproductions (especially doing a lot of giant murals for clients) and have always aimed for the best quality output. It’s why we also maintain a top of the line Hasselblad Imacon Scanner for sucking the best out of our back collection of quality transparencies. The feedbck we’ve had from clients is very rewarding.
Pentax 645z in action. Rob Suisted, Kaimanawa Forest Park
September 15th, 2011 §
I’ve been photographing a book about Molesworth Station; New Zealand’s largest station at 200,000 hectares (500,000 acres!).
The dramatic changes in landscapes, colours and seasons are imperceptible to our human time scale. I’ve just compared 3 photos taken 5 months apart and watched the richness of colour fade out to a stark reality of a barren winter landscape. Beautiful.
Molesworth Station seasonal contrast. Click to enlarge
So, merged, the top two look great:
Looking forward to the spring colour flush…
January 8th, 2010 §
I had an ephinany this morning. I poured my first decent bit of Latte Art. After months of learning and trying hard, this one just popped out without fanfare or conscious effort. I’m proud as, and its got me thinking…
Rob's first latte art fern
Several things have been drawing coffee and photography together for me over the last few days so I’m going to make a caffeine fueled comparison.
It would be fair to say that coffee has become quite important at Nature’s Pic Images. Over the last year a brand new Vibiemme Super E-61 group head espresso machine has become a shrine to which morning work schedules often bend around. Before actually owning a coffee machine of any quality, I enjoyed a good coffee at a fav local cafe (Cafe du Parc), but I had no idea of the skill employed by Georga, Terry, and the team when making a consistently good brew. There is a lot to know and a lot of variables to deal with. I now tip my hat to a good barista.
So, why the hedonistic comparision between coffee and photography?
Both are, at the same time, technically intensive, and creatively infused. It’s an interesting blend and one that I love. To make the perfect photograph is impossible; to make the perfect brew is impossible. What do you think?
I was reading an article (for the life of me I can’t find it now) by a life long barista where he claimed to have only poured about 30 ‘God Shots’ in his career. God shots would be an espresso pour to die for I guess? There was no definition….. > > > Continue reading : full post + comments > > >