Nature’s Pic Images Blog

Unexpected bonus this January 2024, we went to visit the world’s biggest iceberg, an incredible 3,900 square kilometres of ice ploughing through the southern ocean at 30Nm per day.  These are a force of nature, incomprehensible the human scale!  I was working as a polar guide for EYOS expeditions guiding clients to remote spots, something I’ve done as a related work story to my professional photography and polar experience for a long time, that gave me the chance to see this behemoth up close.

It’s a mind bending experience to see something like this.  > > > Continue reading : full post + comments > > >

An unseasonably calm winter’s day took me well offshore exploring by boat into Cook Strait where I witnessed and recorded a wildlife feeding frenzy not often seen, and it was included in a NZ Geographic article here: https://www.nzgeo.com/stories/frosty-reception/.  In the water, New Zealand fur seals (Arctocephalus forsteri) were diving to catch Frostfish (Lepidopus caudatus), a very long almost snake like fish, but their length required the seal to bring the fish to the surface in order the thrash and rip them apart, taking several minutes per fish.

The splashing and commotion caused a large collection of Mollymawks (small albatrosses) to arrive and battle over any morsels flung from the grisly massacre taking place. > > > Continue reading : full post + comments > > >

A science background made shooting the BRANZ Annual Review an interesting undertaking.  Meeting and capturing the work of many of our top building and materials scientists dealing with applied real world issues in the building industry was fascinating, and working alongside an experienced and capable team of in house designers, writers and publishers was satisfying.  The final report we crafted has just been released here.

Below are a few example pages and a brief explanation of the design and photographic themes involved… > > > Continue reading : full post + comments > > >

We licensed our third photo for tattoo use recently, and our client shared the result, committing the photo to skin forever.

Original file is here, and the other tattoo photos are here.

Nice interview with Emile Donovan, Radio New Zealand, about recent projects, winning NZ photographer of the year, and a few other things we gassed on about.  Audio link here:

My latest assignment for New Zealand Geographic Magazine. An in-depth look at the Predator Free 2050 initiative to rid NZ of introduced predators – being such a huge national initiative this was one of the largest articles the magazine has commissioned recently.

Visit NZ Geo to read the article online now.  Otherwise, browse the gallery below to … > > > Continue reading : full post + comments > > >

A full 75% of my single entry images have placed in the NZ Geographic Photographer of the Year awards this year – three making it through.

Have a look through the great collection of other finalists this year. Grab a coffee and vote for your favs at: https://www.nzgeo.com/photography/finalists/

Individual images are

Dairy farmland in early morning autumn light. Dairy cows and herd grazing on lush pasture, Sanson, Manawatu District, Manawatu-Wanganui Region, New Zealand (NZ). (c) Rob Suisted. Image ID: 60985GL00

Canterbury plains agricultural mosaic landscape of dairy farming and cropping. Post wheat harvest stubble burn off, a normal management tool for preparing next planting. Aerial view, square format, Methven, Ashburton District, Canterbury Region, New Zealand (NZ) (c) Rob Suisted. Image ID: 58952GL00

Short-tailed bat (Mystacina tuberculata) flying at night, with mouth open indicating it’s using echolocation to navigate (lesser short-tailed bat – pekapeka-tou-poto), Pureora Forest, Waitomo District, Waikato Region, New Zealand (NZ). (c) Rob Suisted. Image ID: 60588LB00

Recently spent some time photographing our rare native Giant Kokopu fish, a secretive seldom seen species, and therefore, unknown to many. Here’s a video that Forest and Bird put together as part of a drive to increase awareness of the species, which shows some of the efforts to try and film them in their natural habitat. Grab a coffee and have a look at:

Have a look at more of our native fish here.
Many thanks to Forest and Bird for giving this species, and their plight, a big push.

We just received photos of another of Rob’s amazing iconic native NZ Falcon (Karearea) photos committed to skin permanently. We’re blown away how this tattoo has come out, and honoured to have Nick Aston consider using it.

Been a manic but terribly exciting week on the F800GSA around NZ shooting another feature for New Zealand Geographic Magazine on land use in NZ.

I’ve learned a heck of a lot more about our big picture agriculture, appropriate land use, precision farming and adding value to our exports to get out of our traditional ‘commodities from the colonies’ history. Stay tuned for the next issue coming very soon – in fact real soon – I had to ride like the wind from the Manawatu late tonight to make deadline for press!

Success in the NZ Geographic Photographer of the Year awards.  I entered a few in the aerial category and managed two finalists.  Last week in Auckland, one of these won the big prize!

Rob Suisted proudly accepting his trophy from Richard Greasley of DJI / Lacklands, award sponsors. Photo by Richard Robinson

Here’s the image that won the award this year

DJI AERIAL WINNER: ROB SUISTED: An early winter sunset cast warm light over the landscape as Rob Suisted travelled past Mt Ruapehu. Suspecting the foothills might reveal interesting textures and forms when seen from above, he pulled over to capture the scene with a drone—a spur of the moment decision aided by familiarity with the landscape.

If you’re in Auckland, it’s very well worth your time to go visit the beautiful NZ Geographic Photographer of the Year Awards Exhibition, prior to 25 Feb 2018.

Great to see my image HUGE inside Auckland Museum heralding the beautiful back lit exhibition by NZ Geo

Sharing a few recent client photos of installed glass splashbacks in kitchens and bathrooms that we commonly do.

We especially love the NZ kelp seaweed cell structure image used in a shower splashback (bottom left). Click on image for a closer look:

And currently we’re working on a very large 5 metre wide kitchen splash back that we think is a stunning use of graphics. Can’t wait to see final images of the install. A link to the image is here: https://www.naturespic.com/newzealand/image.asp?id=52320
It’s a massive file, over 190 megapixels, being a join of 5 medium format digital camera files, so will easily go the nearly 5 metre span at a close viewing distance (a critical factor with kitchen splashbacks). Click on image above for a closer look.

We were commissioned to create large murals for exhibition use at the new Foxton experience, Te Awahou Nieuwe Stroom. Given the large size and close viewing distances, we created specialist large files by stitching multiple medium format digital camera files to make truly huge files for stunning reproduction values. Here are some of the images used. Visit https://www.teawahou.com/Home. We worked with Workshop e, and they have photo credit for these images….

Back in 1999, as a young keen photog working on my first book, I wrote to Doug Kidd (Speaker of the House of Representatives) seeking permission to photograph MP’s sitting.

I had to don suit and tie to drag camera equipment and tripods into the Speaker’s Gallery.  Some Minister’s of Parliament played up to the obvious arrival of a photographer.  I also carried a heavy bag of medium format Bronica equipment, on which this photo was taken. BUT, then an event that still haunts me today happened…..

The Day I nearly accidentally sconed Winston Peters. The year was 1999.

As I finished and turned to leave, I shouldered my heavy medium format camera bag.  The shoulder strap ripped off and the bag landed heavily on the handrail, teetering, before falling forwards to my feet.  It could’ve gone the other way, and fallen 20 feet onto Winston Peters.  It would have sconed him and probably made a thorough job of it.  My blood ran cold as I headed off.

I sometimes wonder how things could’ve been different today.  OSH hadn’t taken root then, so accidents were still happening in NZ; some could have even seen this as a good accident.  One thing for sure would’ve been the publicity my book could’ve got – ‘the book that floored Winston’.

A huge project has taken much of our time lately. This remarkable exhibition about NZ’s National Parks has opened in Beijing, China, carefully created by Landscope DesignLab at Lincoln University and driven by Dr Mick Abbott

Over 60 of our images were used in the exhibition, and many of them produced in large mural dimensions.

We work hard to create massive image files for large murals like this, from medium format digital cameras, often professionally stitched to make very large image files that are far superior to normal files.  It’s a terrific honour to have those efforts recognised like this:

Shots from the opening are below (btw, that’s a photo of me by the tent, freezing bits off to get the dawn):

Check out feedback we’re recieved from some of our mural clients.

PHOTO CREDIT: The Museum of Chinese Gardens and Landscape Architecture.

NZ’s Country Calendar TV show is the 2nd oldest TV programme in the world after Coro Street.

It was an honour to be commissioned to photograph the official 50th anniversary book to commemorate the milestone for TVNZ. It’s been a full on 6 month photographic journey, twice around NZ, poking my nose into so many interesting stories, and meeting lots of passionate interesting people around NZ.

Firstly, if you haven’t got a copy of this iconic book, get yourself along to my publisher and order a copy – you won’t be disappointed. I’m very proud of the quality of the photos created to tell each of 15 stories, and Matt Philp’s writing style is brilliant at capturing the tales.  Here are a few favourites from the many images

The job wasn’t easy – turning up to live with complete strangers 24/7 for up to a week, while seeking their confidence to document their stories and poke a camera into their lives. It was stressful for them and me, but without exception everyone was incredibly hospitable and obliging which allowed me to tease out their stories and capture it within 8-10 frames.

Each image had to earn it’s spot, and often illustrate at least 2 concepts. Such as the photo below, it needed to be a portrait, talk of wetland restoration and Stu’s Kaitiaki role and his love of whitebaiting. It took some doing: Stu Muir runs a dairy farm, but is passionate about wetland restoration in the Waikato River Delta.  This is what I came up with:And here’s how it was done – 2 days of planning/executing, screening water flow, and a lot of time coaxing shy whitebait within 50mm of my wide angle lens (the little guys take fright at their reflections and the tiniest vibration), while trying to hold a punt in the current (with 10mm free board), and keep the good natured Stu Muir from getting too bored. It was a success and a frame I’m proud of.

Jamie Steer questions the status quo around introduced species to New Zealand. Its fair to say his views are controversial, but he’s willingly made a target of himself.  I was commissioned to shoot his portrait.

Playing around with the idea of hunting introduced species, and how Jamie is happy to be a target for debate, this is the work I did to make a very strong literal ‘story portrait’ to illustrate the interview for NZ Geographic Magazine:
And here are a few of the options supplied for the editor to consider:

Research shows* natural images, especially nature landscapes, reduce anxiety, lower blood pressure and increase feelings of well being in people.

Our need to connect with nature is inherent in us (Rob gave a talk about this recently at the Environmental Defence Society’s annual summit – video linked below).

Our health industry clients recognise this, and we’ve worked with them to bring NZ nature scenes to people who need the benefit of nature in their facilities.

The Auckland DHB have just used around 30 of our natural landscape images to produce super graphics for wards and treatment rooms, the feedback has been great:

New Auckland Hospital murals, by Rob Suisted

The Waikato DHB have also recognised the healing value of nature photography, and several of Rob’s images are now in use in their radiation treatment rooms, link below

Waikato Hospital murals by Rob Suisted

We specialise in professionally stitched panoramas for large graphic reproduction, which maintain integrity and quality when reproduced as large murals. We invest in quality equipment that provides better quality files than you’ll get from most places, for large reproductions. Drop us a line if you’re planning a stunning big mural. See some more of our murals here.

You can take that from us, or take it from the Waikato DHB newsroom…..

“On the wall in front of you is a huge photo of a New Zealand forest, with majestic tall-trunked trees so real you feel your mind can go for a walk among them. The feature wall photographs are a beautiful forest scene by Rob Suisted, award winning New Zealand photographer”.

And here’s Rob’s opening address to the EDS Wild Places conference, talking about wilderness, the importance to the human condition, and some great NZ images. Grab a coffee and take a look:

Rob Suisted, Photographer from Environmental Defence Society on Vimeo.

* = Research shows: https://www.sciencealert.com/just-looking-at-photos-of-nature-could-be-enough-to-lower-your-work-stress-levels  & https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4690962/

Addendum: Here’s a new hospital mural by Rob Suisted, installed in an operating theatre at Churchill Hospital – an image of Fitzroy Bay on medium format digital. We think it looks stunning:

Check out feedback we’re recieved from some of our mural clients.

Plenty of folks would get in line to shoot Gareth Morgan I’m sure, but it’s not that easy – I can attest.

Gareth Morgan is a man of many interests, passions and opinions, whose strong desire to get good things done can certainly polarise - take his cat control views (which have gone global) for instance.

Gareth Morgan and ‘Plan B’ – face mask and snorkel. There is no Plan B with climate change. On melting ice, Antarctica. ©Rob Suisted, for NZ Geographic

So I was certainly keen when NZ Geographic Magazine commissioned me shoot Gareth for a portrait profile piece.  Serendipity intervened again, as I discovered that we were to be on the same ship in Antarctica the following month.

Gareth Morgan is a strong climate change campaigner and author of a book on the subject, so a bit of creative dreaming arrived at a strong metaphorical image to capture the man’s character and one of his important messages.

This was my 17th trip to Antarctica. I drive boats and lecture, as a break from professional photography.  So, we took a boat on Xmas day, out into flat water behind Plenneau Island, borrowed a face mask and snorkel, and dropped Gareth off on the best piece of ice we could find to represent the melting ice of climate change.  The casual holding of the face mask and snorkel in normal business attire was designed to represent the foolish notion that many people carry, vis, that we have a ‘plan B’ somewhere for climate change. Plan B isn’t an option – just as a facemask isn’t here.

I’m proud of the result – strong metaphorical frame that captures Gareth Morgan in a striking way – no trickery, no post production work – simple.  BUT check out the pile of comments on Gareth Morgan’s facebook page.  It’s galling when some people, from the comfort of their home, suggest a great photo must be ‘photo-shopped’.  *Cough* – THAT photo is the combination of skills learnt over a long time as a professional photographer, planning, a good creative process, and qualifications and experience operating boats on over 20 polar expeditions! Everyone is a cynic, a critic, or blimin both…

Rob Suisted polar guiding and boat driving

Anyway, here’s the NZ Geographic Magazine article the image was used in: Out in the Cold.  And Gareth was a bloody good sort, keenly signing up to the idea, and willingly being marooned on a small ice floe while we (I and his family) drifted off without him, in the frozen middle of nowhere. Shot with a Pentax 645Z and DFA25mm lens.

NZ National Fieldays is the largest annual farming and agricultural trade show in New Zealand, and maybe the Southern Hemisphere.

Every year at Mystery Creek, Waikato, hosts over 1000 exhibitors and around 120,000 pairs of boots over a 4 day event (and presumably, the occasional dedicated pair of heels).

It has a rich history and tradition for over 45 years now (http://www.fieldays.co.nz/factandhistory ), and prizes are awarded to the best exhibitions.  We have a strong connection supplying large high quality image files to exhibitors.

Word is getting around that we have a great selection of rural photography, especially since the release of Rob’s 17th book ,the official 50th Anniversary of Country Calendar and the award winning Molesworth Station book, and that we carry a huge collection of panorama files for murals.

Westpac Bank lined their marquee with 3 massive panoramas that were stitched together beautifully, totaling 41 metres of murals:

We worked with some notable stands in 2016, including a 25m x 2.4 metre single image for Husqvarna (a 6Gb image file!)… > > > Continue reading : full post + comments > > >

NZ Post commissioned me to shoot the covers of the NZ Stamp Collection (an annual book containing all the year’s new postage stamps) again this year.  The theme is ‘Take a Closer Look’, and follows on from the previous 3 covers we’ve done together. This year Kauri Trees were our focus.

The most beautiful Kauri Tree (Agathis australis) in NZ

I was fortunate that last year I was taken to a very beautiful Kauri Tree, by a remarkable man called Kevin Prime.  I was commissioned to shot his portrait for a book project, and wanted to photograph this humble man against the might of the majestic Kauri.  Kevin knew just the tree and he introduced me to it.  A minute after we arrived, in the peace of the calm forest, a quiet whirling sound started up, and got louder.  What was it? Suddenly the tree’s seeds started landing on my head and shoulders.  It’s had cast it’s seeds out onto us.  The hair stood up on my arm as Kevin said how auspicious this was.

So when NZ Post wanted a kauri for their annual stamp collection book, I knew exactly which tree I wanted to showcase to the nation.  Never before have I seen such a distinctive bark pattern on a Kauri Tree.  The hammered texture of this one is very striking, and almost appears as an embossed surface on the book box set.

NZ Post's The NZ Collection, annual stamp book covers by Rob Suisted

If you’d like to see more of this beautful tree, or get a closer look at the distinctive bark patterning, have a look at our Kauri Tree photo collection.

I’ve twice been commissioned to shoot Dr Jan Wright’s portrait while she was the Parliamentary Commissioner for the Environment.  I like making strong ‘story portraits’ – images that capture the essence, work, passion, or message of the subject.  Dr Jan Wright was a perfect subject for this style.

Here’s the ‘official portrait of Dr Wright while in office. I wanted to put Dr Wright into nature, not just make it her back drop.  The colours are very pleasing to my eye:
New Zealand Geographic commissioned me to record her portrait for the magazine. Here’s Dr Wright in her natural environment, with a carefully placed nod to the halls of government power, to signify the relationship and influence of her role. Here’s the link to the article.

About nine months back in invested in a Ricoh Pentax 645z camera body, and purchased nearly every medium format lens available (from super wide 25mm (approx 19mm in 35mm equiv.) to 400mm tele) for this wonderful new camera. I thought it was time to talk about the joy I’m getting from the amazing output quality I’m seeing.

I used to shoot medium format film cameras up to 6 x 9 colour transparencies.  Shooting 35mm full frame digital is great, but when Ricoh Pentax brought out this camera I felt it was time to jump up.  Sure, Canon has recently unveiled 50MP 35mm camera bodies, but to be honest, they won’t come close to the performance of this.  The file sizes might be comparable, but the pixel size with the Canon is so small now, that the quality of output will be miserable in comparison.  Check out the photo below for a large copy (which is 1/10th the size of the original by the way) – click on it and make sure you’re viewing at 100%.  As you see, there’s no shadow detail.  Infact, I’m finding I can shoot the Pentax 645z at 3200 ISO and the files are better than the best Canon 400 ISO files I’ve seen.  It’s just luscious to shoot with and I still marvel at the results every day.

Incredible image quality – click for full screen view – make sure you have 100% viewing

It’s been a big investment in equipment, but as we specialise in very large reproductions (especially doing a lot of giant murals for clients) and have always aimed for the best quality output.  It’s why we also maintain a top of the line Hasselblad Imacon Scanner for sucking the best out of our back collection of quality transparencies.  The feedbck we’ve had from clients is very rewarding.

Pentax 645z in action. Rob Suisted, Kaimanawa Forest Park

Today’s news carried an article on my photography work on the NZ Stamp annual, NZ postage stamps, and the NZ bank notes just annouced. Full story here.

Wellington photographer Rob Suisted, whose work features on stamps and on the newly designed New Zealand banknotes.

The article by Dave Crampton mentioned I’ve done previous NZ Post annual stamp book covers, so here’s some of the back story to those covers.

NZ Post annual stamp book covers by Rob Suisted, urging us to take a closer look at our native fauna

I’ve worked with Nicky Dyer of Strategy Design in Wellington on these for several years now.  The 2012 cover used one of my favourite images, and the last couple of covers have been very interesting.  2013 cover involved filming rare NZ native geckos on a black background which involved an afternoon wrangling this cute little joker.  2014 proved to be much tougher.

Nicky called me and said they’d like to do a stunning cover focussing on our rare and little known giant carnivorous land snails, Powelliphanta.  Jeepers I thought, it’s winter and they’re not going to be very mobile in the cold.  Always up for a challenge I accepted.

The job involved setting up a makeshift macro studio in the back of my jeep, talking to snail experts, before heading across on the interisland ferry for a few days.  Of course that night turned very cold, meaning that snails would not be active.  Luckily I’d managed to get out at dusk and spend a few hours searching for snails.  It took about an hour to find my first, and several others shortly after.  I was fortunate as overnight a good dusting of snow meant searching become impossible.

Freezing cold, rare snail hunting

These unique snails require warmth to be active, and luckily with the sunny day, and black surfaces, it was enough to coax one out of it’s shell despite the cold air temperature.  It did take about 4 hours though (mostly moving on the spot to warm my feet), and I got some stunning and unique portraits to do these giants proper justice.  The textures, colours and form are beautiful and I enjoy looking at them.

New Zealand Hochstetter’s giant landsnail (Powelliphanta hochstetteri). Threatened NZ native terrestrial mollusc

Have a look at more photos of these rare carnivorous giant landsnails (Powelliphanta sp.).  For a closer look at the new New Zealand bank notes, check this out.

The Reserve Bank announced new designs for the New Zealand bank notes today.

I’ve been keeping a big secret for months – my photographs appear on all of them.  I’m very proud about it, as you can imagine, to have you carrying my work in your wallets and purses.  Click on the image for a closer look:

New Zealand bank notes redesigned from Rob Suisted photos

UPDATE: News article about the use of my images on the new currency bank notes, and NZ post stamp annual book cover.